Mission

The Manchester Choral Society, established in 1960, is a non-profit auditioned community chorus whose long-standing reputation for excellence and dedication to the performance of quality literature of all periods and styles has made it a magnet for serious singers throughout the region. Under the new leadership of Music Director Dan Perkins, the Manchester Choral Society is one of the region's most respected choral organizations.

Members of MCS are inter-generational, ranging from talented high school students to mature singers with over 50 years of choral singing experience. They come from all over New Hampshire and northern Massachusetts, and represent a wide variety of professions and walks of life. The Manchester Choral Society is committed to sharing and promoting the best in choral music through performance, collaboration, and educational outreach.

Music Director

Dr. Daniel Perkins is Stevens-Bristow Distinguished Professor of Music and Director of Choral Activities at Plymouth State University. He holds the degrees Doctor of Musical Arts and Master of Music in Choral Music from the University of Southern California, and Bachelor of Music in Piano Performance from Brigham Young University.

Dr. Perkins continued his studies as a Fulbright scholar in Helsinki, Finland. While there, he worked as the Associate Conductor of the Finnish Chamber Choir and Associate Conductor of the Savonlinna Opera Festival Chorus. Prior to his move to New Hampshire, Dr. Perkins worked as the Assistant Conductor for the Colorado Symphony Chorus. He is active as a guest conductor and clinician throughout the United States and abroad. He has been a guest conductor of the Dartmouth Concertato Singers and Dartmouth Handel Society, and has just been appointed Music Director of the Hanover Chamber Orchestra. He is also Music Director of the New Hampshire Master Chorale and Principal Guest Conductor for the Vietnam National Opera and Ballet in Hanoi.

He conducted the New Hampshire Friendship Chorus on their tours to Eastern Europe, Southeast Asia, and Brazil, and will conduct their summer 2008 tour of Croatia, Slovenia, and Montenegro. Perkins is a co-founder, with Dr. Trish Lindberg, of the award-winning Educational Theatre Collaborative, and pianist for Trio Veritas.

Accompanist

Charles Blood has served as accompanist for the Manchester Choral Society since 1986. He has also filled this role for musical productions throughout the region, high school and college choirs on two European tours, and numerous area choral workshops, festivals, and recitals. As a member of the music faculty of Notre Dame College, he founded and served as director of the college's Community Music School and coordinator of the Summer Concert Series. He has also taught at St. Paul's School and in the Manchester public schools. Mr. Blood now teaches for the Derry Cooperative School District and is music director at the New Castle Congregational Church. He graduated summa cum laude from the University of New Hampshire where he also earned a Master of Arts degree in music.

Assistant Music Director Intern

Salem, NH, native Amanda Koba graduated from Plymouth State University with a dual degree in music education and vocal performance and pedagogy. She is in her second year as an elementary school music teacher at Kimball School in Concord, NH.

Board

President: Gail Kelley
Vice President: David Betz
Secretary: Peter Henninger-Osgood
Treasurer: Cheryl Stocks
Mimi Alberu
Erich Dethlefsen
Jessica Grant
Bobby Kessling
Rachel Peavey
Carol Sanders
Tom Wilkes
Business Manager: Linda Turner

Richard Crafts Memorial Scholarship Information

Each year the MCS awards one $1000 scholarship to assist a qualified student with funding his or her post-secondary school music studies.

• Letter to scholarship applicants
• MCS Scholarship Application

Reviews

Perkins perks things up

Premiere of 'Zulu' Mass next weekend

With Dan Perkins on the podium, it's never dull. And quite often, it's multicultural.

Consider last spring, when the conductor brought a program of seldom-heard Finnish music - both "classical" and contemporary - to Manchester, and it turned out to be one of the season's highlights.

This time around, it's a whole other continent: Africa. Leading the combined forces of the Manchester Chorale Society and other groups, Perkins will stage the U.S. premiere of "Zulu Mass" by composer Qinisela Sibisi in two concerts the weekend after next, one up in Plymouth and another in Derry.

The local performance is Sunday, April 15, at 4 p.m. at Pinkerton Academy's Stockbridge Theatre in Derry, an excellent hall that's only a short drive from Manchester, Nashua or Concord.

But wait - a "Zulu Mass?" You read that right. It's a traditional Mass, just like those composed by Mozart and his brethren, but sung in Zulu, one of the native tongues of South Africa. The work, which incorporates traditional African elements but is essentially classical in spirit, was premiered a few years ago by the KwaZulu-Natal Philharmonic Orchestra.

To bring the work to life in New Hampshire, Perkins has corralled more than 200 singers. Rounding out the program are songs from Ghana and Nigeria, and an appearance by the Akwaaba Traditional Ghanaian Drumming and Dancing Ensemble. Mozart fans will just have to look elsewhere.

If you aim to attend one performance this season that's guaranteed to be memorable, the Zulu Mass is a good bet. Tickets for the April 15 performance cost $12 (students/seniors $10) and are available at mcsnh.org, through singers, or at the door on concert day

Classical countdown for '06

The year's 10 best performances

No. 5: Manchester Choral Society, "Songs of Travel", Dan Perkins, conductor, Sunday, May 21. Under Perkins, the group brought out the best of each work with an easy and chameleon-like grace, switching gears from a polished classical ensemble sound to a full-throated end-on-a-fat-chord gospel revival choir. You got the sense there was nothing that the Manchester Choral Society couldn't tackle and turn into wonderful music. If someone had given them all the Manchester phone book, they probably would have sung that, too.

CLASSICAL PREVIEWS

Manchester Choral Society to sing "Songs of Travel"
Also: member commissions new music for wife's birthday

In his first season leading the Manchester Choral Society, music director Dan Perkins is taking the group in new directions - like the Seacoast. The group takes its spring program on the road, performing at South Church in Portsmouth on Saturday, May 20 and back home at the Parish of the Transfiguration, 107 Alsace St., Manchester on Sunday, May 21 at 4 p.m. Appropriately, the program is "Songs of Travel," an eclectic mix of choral music from Norman Dello Joio, Ralph Vaughan Williams, Jonathan Santore, and other composers. Also included: music from father-daughter duo pianists Charles and Elizabeth Blood, solos from baritone Charles Stanton, and trumpet licks from Mary-Lynne Bohn. For info, visit www.mcsnh.org or call (800) 639-2928.

Below are program notes on each of the pieces; they're provided by Gail Kelley of the Manchester Choral Society. Pay special note to the new work by Jonathan Santore, which was commissioned by a choral society member as a birthday present for his wife. - J.R.

"Song of the Open Road" by Norman Dello Joio:

The text for this is taken from a poem by Walt Whitman. Scored for chorus with trumpet solo and piano accompaniment, this work captures Whitman's boisterous and expansive spirit and the notion of limitless possibilities that courses through his poetry.

Now 93 years old, Dello Joio was a student of Paul Hindemith at Juilliard. In 1957 he won the Pulitzer Prize in music for his string orchestra piece "Meditations on Ecclesiastes." That same year he also won an Emmy for his soundtrack for a TV special, "Scenes from the Louvre."

He taught at Sarah Lawrence College and the Mannes College of Music before moving on to Boston University, where he became dean of the School of Fine and Applied Arts. His output consists of more than 45 choral works, three operas, nearly 30 orchestral works, and dozens of chamber and solo pieces.

"Toward the Unknown Region" by Ralph Vaughan Williams: Another setting of a Whitman poem, but in contrast to Dello Joio's, this one progresses eerily and with subdued dynamics until the forte ending, where the music, reflecting Whitman's characteristic boundlessness, breaks the spell.

"Island in Space" by Kirke Mechem: Commissioned for California State University at Chico A Cappella Choir for its 1990 tour of the Soviet Union, this is an appeal for peace and world brotherhood. It incorporates the words of American astronaut Russell Schweickart describing what he felt as he viewed the Earth from space and a poem by Archibald MacLeish imagining the same experience. Mechem's music has an ethereal and reverent quality, the harmonies seeming to float weightlessly, like the space traveler whose words they convey.

"i carry your heart" by Gwyneth Walker: Though more well-known for his refusal to abide by the conventions of capitalization, the poet e.e.cummings wrote some of the most beautiful love poems in the English language, all written to or about his wife. In "i carry your heart" cummings describes how much she is a part of him in his travels through life. Walker's sweet, simple melody and open sonority are evocative of Aaron Copland in some parts of this piece and make one sigh with appreciation for how well the music suits the words.

"Song of the Road" by Jonathan Santore: A world premiere of a work commissioned for the Manchester Choral Society by Peter Morgan as a birthday present for this wife.

As a member of the Manchester Choral Society Board of Directors, Peter Morgan knew the organization hoped to commission a work for its spring 2006 concert and needed to either stage a fundraiser or get a grant to cover the cost. Meanwhile, another spring occasion occupied his thoughts -- his wife Mfanwy's birthday. He wanted to get her a gift that was special and lasting but not something she would have to pack. The Morgans are long-time members of the Manchester Choral Society, but this will be their last concert with the group. They are leaving their Bedford, NH, home to retire to Virginia, and they have packing enough to do without adding another item to the task. Then, as the spring semester of MCS rehearsals got under way, Peter had an inspiration: he would pay for the commissioned work, have it dedicated to Mfanwy, and present it to her on her birthday.

The concert theme for the commissioned work -- Songs of Travel -- is an accurate metaphor for the Morgans' life together. They have traveled a great deal. One of their more extensive trips was their traverse of the Atlantic from their native Wales to settle in the United States.

And so it came about that Plymouth State College Music Professor Jonathan Santore composed "Song of the Open Road" for the Manchester Choral Society in honor of Mfanwy Morgan. The work is a setting of Scottish writer Robert Louis Stevenson's poem of the same title. As Stevenson himself explained, the poem was based on a story of a tax assessor and a whiskey distiller who were friends. The assessor would occasionally make trips to his friend's farm on the outskirts of Edinburgh to enjoy nips of the whiskey. As a result, he felt guilty about having to go there in his official capacity to collect annual taxes on the liquor. To assuage his guilt and save his friend from the burden of taxes, the assessor would stop along his way to the farm and play his flute for awhile. The farmer, upon hearing the flute, knew what he had to do. He loaded his barrels of whiskey onto a horse-drawn cart and took them to a glen, where he buried them. When the tax assessor arrived at the farm, everybody would be going abouttheir chores as usual. There was just enough whiskey to serve with dinner, to which the assessor was invited. He would eat and imbibe and play his flute some more until he and everyone else were mellow. The assessor would end his evening of flute playing with the tune "Over the Hills and Far Away," and everyone would exchange knowing looks, because that was where the whiskey barrels were.

Santore decided to use a Scottish subject and musical style to make the work blend with the Scottish folksongs in the concert program. This style also added another element of appropriateness for a work dedicated to Mfanwy: the music of Wales, like that of Scotland, springs from the Celtic tradition.

Three Scottish Folksongs arranged by Mack Wilberg: With both the lilting and mournful melodies and rhythms that make Scottish folk music instantly recognizable, these songs deal with travels to or away from a loved one. If the effect this music has had on the singers is any indication, these pieces will, by turn, make listeners want to tap their feet or cry.

"Walk Together, Children" and "We Shall Walk through the Valley of Peace" arranged by Moses Hogan: The nature of the travel in these two spirituals is evident from their titles. Hogan was the arranger of the rollicking spiritual the Manchester Choral Society sang at its 2005 Christmas concert. He can be counted on to supply lush harmony, inventive rhythms, and often a surprise or two.

"Dan-u-el" by Kirke Mechem: This roof-raising adaptation of a spiritual is taken from Mechem's opera "John Brown." The opera has been performed in more than 40 cities and has brought audiences to their feet in each one. Baritone Charles Stanton, a recent addition to the Plymouth State University music faculty, will be the soloist as the chorus lets loose with this rousing finale to its program.

Some More Reviews

"Christmas a cappella is a knock-out. It won't edge the Mormon Tabernacle Choir off the shelves, but it should..." - Gail Kelley, The Boston Globe

"Beautiful music... sung by a superb chorus... a high pitch of solidarity and blend; their voices rose shiningly to fill the church... one of the most meaningful Christmas concerts I can remember." - The Nashua Telegraph

"...intensive, well-groomed choral sound... the strength and secret of the American singing group revealed itself; the terrific simplicity of form, which leaves routine out of consideration, but rather has as its basis discipline in style and voice management, without cutting off the natural expression. The choir, with its beautiful warm timbre, sang freely and from their whole heart, thereby moving heart and soul. ...the smallest details were lovingly executed from the solid yet flexible rhythm ... to the rich gamut of dynamics." - Der Rheinpfaltz, Neustadt an der Weinstraße, Germany (translated by MCS soprano Beth Jenkins)

Members of the MCS July 1999 Concert Tour to Italy, at St. Peter's Basilica in Vatican City.